Wednesday, March 21, 2018 to Friday, August 3, 2018
David Bowie is comes to The Brooklyn Museum for the final stop on the critically acclaimed exhibition's world tour, on view from March 2 to July 15, 2018, and will include never-before-seen objects and exclusive items only on display during the local presentation.
The exhibition is the first retrospective of the extraordinary five-decade career of David Bowie--- one of the most pioneering and influential performers of modern times. Curated by Victoria Broackes and Geoffrey Marsh from the Department of Theatre and Performance at the Victoria and Albert Museum in London, David Bowie is explores the creative process of an artist whose sustained reinventions, innovative collaborations, and bold characterizations revolutionized the way we see music, inspired people to shape their own identities while also challenging social traditions.
Sennheiser, the official audio partner of the exhibition, will provide an immersive journey through the artistic influences that Bowie cited as formative. With unprecedented access to his personal archive, David Bowie is features more than 300 objects collected from his teenage years through his death in 2016-including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material.
The exhibition explores the broad range of Bowie's collaborations with artists and designers in the fields of fashion, sound, graphics, theater, art, and film. On display are more than 60 stage costumes including Ziggy Stardust bodysuits (1972) designed by Freddie Burretti, Kansai Yamamoto's flamboyant creations for the Aladdin Sane tour (1973), and the Union Jack coat designed by Bowie and Alexander McQueen for the EART HL I NG album cover (1997). Also on show is photography by Brian Duffy, Terry O'Neill, and Masayoshi Sukita; album sleeve artwork by Guy Peellaert and Edward Bell; cover proofs by Barnbrook for the album The Next Day (2013); visual excerpts from films and live performances including The Man Who Fell to Earth (1976) and Saturday Night Live (1979); music videos such as Boys Keep Swinging (1979) and Let's Dance (1983); and set designs created for the Diamond Dogs tour (1974).
Alongside these are more personal items such as never-before-shown storyboards, handwritten set lists and lyrics as well as some of Bowie's own sketches, musical scores, and diary entries, revealing the evolution of his creative ideas.
There is also an area dedicated to the monochrome theatricality of Bowie's Berlin period and the creation of the stylish Thin White Duke persona identified with the Station to Station album and Stage tour (1976). It also investigates the series of experimental and pioneering records he produced between 1977 and 1979 while living in Germany, known as the Berlin Trilogy.
Several immersive audio-visual spaces present dramatic projections of some of Bowie's most ambitious music videos including DJ (1979) and The Hearts Filthy Lesson (1995), as well as recently uncovered footage of Bowie performing Jean Genie on Top of the Pops in 1973 and D.A. Pennebaker's film Ziggy Stardust and the Spiders from Mars: The Motion Picture (1973). A separate screening room shows excerptsand props from Bowie's feature films such as The Man Who Fell to Earth (1976), Labyrinth (1986) and Basquiat (1996).
The final section celebrates David Bowie as a pioneering performer both on stage and in film, concentrating on key performances throughout his career. This gallery traces the evolution of the lavishly produced Diamond Dogs tour (1974), the design of which was inspired by Fritz Lang's film Metropolis (1927) and George Orwell's novel Nineteen Eighty-Four (1949). The tour combined exuberant choreography by Toni Basil and a colossal set design, taking the combination of rock music and theater to new heights. On display are previously unseen storyboards and tour footage for the proposed musical that Bowie would eventually transform into the Diamond Dogs album and touring show.
David Bowie is also includes a display of striking performance and fashion photographs taken by photographers including Helmut Newton, Herb Ritts, Mick Rock, and John Rowlands.
Member tickets will be available on November 8, 2017 before standard tickets go on sale to the public. Brooklyn Museum Members receive free ticket(s) based on membership level. Benefits include priority access to the exhibition; free general admission for one year; and discounts on Museum programs, dining, and shopping.
Standard tickets go on sale Wednesday, November 15, 2017. Standard tickets will cost $20 for Adults, $12 for Seniors and Students ages 13 and up, $6 for Children ages 4 - 12 on weekdays; and $25 for Adults, $16 for Seniors and Students ages 13 and up, $10 for Children ages 4 - 12 on weekends.
Founded in 1823 as the Brooklyn Apprentices' Library Association, the Brooklyn Museum contains one of the nation's most comprehensive and wide-ranging collections enhanced by a distinguished record of exhibitions, scholarship, and service to the public. The Museum's vast holdings span 5,000 years of human creativity from cultures in every corner of the globe. Collection highlights include the ancient Egyptian holdings, renowned for objects of the highest world-class quality, and the arts of the Americas collection, which is unrivaled in its diverse range from pre-Columbian relics, Spanish colonial painting, and Native American art and artifacts, to 19th- and early 20th-century American painting, sculpture, and decorative objects. The Museum is also home to the Elizabeth A. Sackler Center for Feminist Art, which is dedicated to the study and exhibition of feminist art and is the only curatorial center of its kind.
The Brooklyn Museum is both a leading cultural institution and a community museum dedicated to serving a wide-ranging audience. Located in the heart of Brooklyn, the Museum welcomes and celebrates the diversity of its home borough and city. Few, if any, museums in the country attract an audience as varied with respect to race, ethnicity, socioeconomic status, educational background, and age as the audience of the Brooklyn Museum.